![](https://freight.cargo.site/t/original/i/ac953aab0ddc196e0f6f946b34500d5c982b7687415ec0e6417b5f2e0c878a9d/Venedig_01.jpg)
![](https://freight.cargo.site/t/original/i/e0aba1bd4cfbd3cdc8038164eeb37dfaf0f268ec851a9cb44e2ec4ae95de4d23/Venedig_02.jpg)
![](https://freight.cargo.site/t/original/i/4116807513a7befb88459108ba67498e7eb533bf5b9b25bb52479d573aa3059a/Venedig_03.jpg)
Venice
2013, 252 x 356 cm, large scale print on poster paper
In keeping with the practices of Daniel Burens and Felix Gonzalez-Torres, Julia Gaisbacher expands her artistic scope for action to include billboards as an alternative exhibition space outside the white cube. In her piece “Venedig”, she contrasts public space with a photographic set piece of public space itself.
The era of the analogue billboard is drawing to an end, superseded slowly by a screen. As if following this logic were imperative, Julia Gaisbacher uses the photograph to simulate the aesthetic of digital design methods on an analogue, phase-out model.
The era of the analogue billboard is drawing to an end, superseded slowly by a screen. As if following this logic were imperative, Julia Gaisbacher uses the photograph to simulate the aesthetic of digital design methods on an analogue, phase-out model.