Cathrine’s Street
2008, approximately 90 x 400 cm and 50 x 100 cm, silk-screen printing on tissue paper, postersOnly a fine line separates shabby and chic in the aesthetics of urban
lifestyles. In a lively district, unruly posters, graffiti and other
forms of intermediate use of a derelict building bear witness to the
vital potential of creativity. In comparison, forms of individual
appropriation of public space are also associated with processes of
urban decay. The appearance of artists and other so-called pioneers in a
given district is often an omen of subsequent processes of
gentrification. Districts, buildings and other elements of the
constructed environment are subject to relentless processes of change.
Julia Gaisbacher’s piece is a documentation of Katharinenstraße in Dresden over a specific period of time. The translation of the subject to silk paper and to old posters on a street front mirrors the simultaneous fragility and long-term resilience of urban structures. Digital reduction to contours lends the subject universality; the concrete street is a hip example of urban culture.
Julia Gaisbacher’s piece is a documentation of Katharinenstraße in Dresden over a specific period of time. The translation of the subject to silk paper and to old posters on a street front mirrors the simultaneous fragility and long-term resilience of urban structures. Digital reduction to contours lends the subject universality; the concrete street is a hip example of urban culture.