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ABOUT
NEWS
WORK IN PROGRESS
From one Side to Another
A Sign of the Time
BOOKS
Hanne Darboven. Am Burgberg (2025)
My Dreamhouse is not a House (2023)
One Day You Will Miss Me (2021)
COMPLETED
WORKS
(2014 – 2025)
Imprints
Weikendorf
Hanne Darboven. Am Burgberg (photo series)
Hanne Darboven. Am Burgberg (film)
What Remains!?
Let the Game Begin
Mapping Split 3
A March in the City
Graz-Vienna
We Come Together
My Dreamhouse is not a House
My Dreamhouse is Daydreams (film)
One Day You Will Miss Me
ARCHIVE
(2007 – 2014)
The Party
Public Exercise
Cathrine’s Street
Wandeling
Venice
Acaciapark
Neighbours
Annen Street
Private
Archive Theleman Alley
Untitled
Room Nr. 121-136
Brugse Poort
Darling
Clearing (Archive Kurt Wehlte)
Francis in the Morning
Magritte on a Sunday
CONTACT
My Dreamhouse is not a House
2019, 40-part series, archive imagesTitle: quote Eilfried Huth
With the support of
Gerlitz residents
Doris Pollet-Kammerlander
Eilfried Huth
Exhibition views
Foto/Industria Biennial, Fondazione MAST, Bologna 2025
My Dreamhouse is not a House deals with the Gerlitzgründe in Graz (AT), one of the first Austrian publicly funded participatory social housing projects by architect Eilfried Huth from the 1970s.
The working method he developed provided a form of collaboration where architects and prospective residents could meet on equal terms. The results from these processes were single, occupant-designed homes within residential blocks where strong communities and friendships came to develop. Seeking to universalize housing access, Huth reserved the first construction phase (30 units) of the Gerlitzgründe for low-income parents aged under 30.
Nearly 50 years later, Julia Gaisbacher explored Huth’s experiment through artistic research, combining resident interviews, archival material, and visual documentation of the uniquely facades.
The work is intended as a contemporary document of the potentially positive impact that architecture can have on society.
The working method he developed provided a form of collaboration where architects and prospective residents could meet on equal terms. The results from these processes were single, occupant-designed homes within residential blocks where strong communities and friendships came to develop. Seeking to universalize housing access, Huth reserved the first construction phase (30 units) of the Gerlitzgründe for low-income parents aged under 30.
Nearly 50 years later, Julia Gaisbacher explored Huth’s experiment through artistic research, combining resident interviews, archival material, and visual documentation of the uniquely facades.
The work is intended as a contemporary document of the potentially positive impact that architecture can have on society.